by John Holbo on August 21, 2008
Man, what if McCain gets elected? (Also, I listened to a Jonah Goldberg bloggingheads thing and it was terrible.) Oh, but I a had great idea for a superhero duo. There’s a terrible accident – a tornado rips through a trailer park – and this is, for some strange reason, the origin story for Double-wide (he’s a bruiser type) and Airstream (his sexy, flying partner). They fight crime in a small town in Georgia. Who should their arch-enemy be?
Right. The Dark Knight. My Valve colleague, Bill B., points me to David Bordwell grousing about superhero films, and generally saying smart things. Oddly enough, given my love of superheroes, I agree almost right down the line. Oh, I enjoyed Dark Knight well enough. But the ending was dumb, the Harvey Dent subplot handled clumsily. The only reason it made sense to me that he was Two-Face was that he was clearly named Harvey Dent and had half his face melted off. Other than that, I didn’t see the resemblance. Ledger’s Joker was, as all sensitive souls agree, vastly entertaining. I would have watched him read the phonebook. Well, for a few minutes anyway. But, while I doubt anyone else would have been better for the role, I don’t actually think it was such a tremendously impressive outing. it isn’t that hard to prance around in clown make-up, barking mad. Insane clowns could be the new Rain Man prestige role. Oh, it takes physical presence and a certain bone structure and face-to-lip ratio. I’m glad someone finally decided to put Frank Miller’s joker up there on the screen. And, of course, the Dark Knight is Miller’s, too.
Everyone knows that. But certain things follow which, it seems to me, have not been noted. First, the praise of Nolan has been a bit off-target. [click to continue…]
by John Holbo on August 5, 2008
Quiet around here. Alright: about that Britney/Paris ad. First, I take it to be obvious the dog whistle ‘he’s coming for your daughters’ subtext was, if not expressly intended, then well appreciated by the ad’s producers. But here’s something else about these ads in general. McCain is an old man without a lot to say, policy-wise, running against a charismatic younger man in an environment that favors the younger man for a lot of age and charisma-independent reasons. There is really no choice but to go for the ‘but he’s too young’, ‘he’s not ready’, ‘he’s all smile, no substance’ line. Obviously there isn’t really any reason to think so, and obviously the Republicans don’t actually think so. This isn’t their reason for voting McCain – namely, they’ve thought hard about the age issue and concluded it favors McCain. It’s just: what else are you going to say? Joe Lieberman: he’s a “good young man.” Who calls a 46-year old man ‘young’? Lieberman just called Obama ‘boy’, in effect. Is Lieberman racist? I doubt it, so why did he do it? Because there isn’t anything else for him to say that would make Obama sound bad, in a general sort of way. He would have done the same for John Edwards, if Edwards had gotten the nomination.
But: there’s no way for old white men to call a professionally accomplished, intelligent, articulate, younger – but not actually young – black man ‘boy’, in effect, without it being heard as racist. There’s no way for an old white man to drop hints that such a man might have a certain animal magnetism, might be qualified to be an entertainer, but should hardly be placed in a position of professional responsibility. (Perhaps someday, but for now, people like this ‘aren’t ready’, for obscure and unspoken reasons.) Again, Edwards would have gotten the same treatment: he’s a blow-dried lightweight. But the race angle changes it. And there isn’t any way for the attackers to convincingly deny they were making a racist attack because the true defense, if any, would be: ‘I wasn’t making a totally baseless attack on his race, I was making a totally baseless attack on him personally.’ That’s a funny corner to be driven back into. Hence the rather strange ‘these ads are just fun, sit back and enjoy it’ defense. But what’s the alternative? ‘What’s the country coming to when an honest man can’t unfairly attack another honest man, personally, without that other man saying the unfair attack is against his whole race, which is just plain an unkind thing to say and drags our political discourse through the mud? This is where Political Correctness has gotten us!’ [click to continue…]
by John Holbo on July 29, 2008
My friend Doug Wolk just won an Eisner for best comics-related book for Reading Comics
. And, I might add, we’ve been hosting a little book event in his honor over at the Valve the last couple weeks. Kip Manley just write a very nice little essay, for example.
In other news, somehow I missed the news a few weeks ago that long-lost footage from Fritz Lang’s Metropolis had turned up in Buenos Aires. That’s almost as good as when they found a nice print of Dreier’s The Passion of Joan of Arc (1928) in a Norwegian insane asylum, eh?
Although the new material is in a terrible condition, according to the first appraisals by the German film historians, including Rainer Rother, the director of the Deutsche Kinemathek Museum in Berlin, the newly discovered scenes give a surprising insight into the characters’ motivation. They finally give “Metropolis” a coherent story-telling rhythm, whose absence was often criticized. For example, characters who were practically extras in the shorter version, such as the spy Schmale or Josaphat, Freder’s friend, actually had significant supporting roles and the original dramaturgical concept, which before could only be reconstructed using textual sources and photographs, is now apparent on film for the first time since 1927.
I don’t think we even knew the spy Schmale’s name. He’s always just been ‘the thin man’, right? And he’s onscreen for all of 3 seconds, looking very tall and sinister. I’m looking forward to seeing a bit more. Here’s a YouTube video that includes tidbits of the new stuff, starting with Schmale, I presume, peeking over a Metropolis newspaper:
And, in other German typeface-related news, we are finally going to get to see the lost Yoshiwara district scene.
by John Holbo on July 26, 2008
So, about that Obama-in-Berlin poster.
No, I’m not going to make fun of the small handful of right-wing blogs that got fake-alarmist about it, hinting that it kinda sorta looked Fascist. My question is related, however. Being a sensible and knowledgeable sort of person, as opposed to some sort of crazed wingnut, when I look at the poster I see not Fascist art but an homage to German modernist styles of the 1910’s and 20’s. Being the sort of person who futzes with fonts, I also see an example of art that would have been actually illegal under the Nazis. Quoting from German Modern, by Steven Heller and Louise Fili [amazon]: [click to continue…]
by John Holbo on July 23, 2008
“Mr. Marks, by mandate of the District of Columbia Prepardon Division, I’m placing you under acquittal for the future murder of Sarah Marks and Donald Dubin that was to take place today, April 22 at 0800 hours and four minutes.”
I like the way in which, thanks to Bush, Republican government inevitably entangles us in serious moral dilemmas: “Wait—can a president really pardon someone who hasn’t even been charged with a crime?”
And you thought that Republican science fiction was all about Intelligent Design.
UPDATE: In my defense, I didn’t really think this could work. I just wanted to call the post that.
by John Holbo on July 20, 2008
Matthew Yglesias was kind enough to link to my Necrotrends post. In comments over there I explained that, in all false modesty, I actually hadn’t worked out whether I thought it was a seance story or a zombie story. Is it Mark Penn as the kid in “Sixth Sense” – ‘I poll dead people’. Or is it William McKinley stashed in a shed like the former roommate at the end of “Shaun of the Dead”? Unclear, is all I can conclude. (One commenter suggested BOTH: si se puede! Fair enough.) But mostly I bring this up because Bruce Bartlett showed up in comements over there. As there was considerable speculation in comments to my original post as to whether the man could say such things with a straight face … I report, you decide: [click to continue…]
by John Holbo on July 17, 2008
Bruce Bartlett has a piece in the WSJ. His thesis statement: “Historically speaking, the Republican Party has a far better record on race than the Democrats.” Here’s the antidote. You can guess how this sort of thing is going to go:
In 1900 (under President McKinley) and again in 1922 (under Harding), Republicans tried to enact an antilynching law. Coolidge asked for legislation again in his 1923 State of the Union message. Unfortunately, Southern Democrats in the Senate routinely filibustered every Republican effort to aid African-Americans.
Thus: “[McCain] should explain that African-Americans will be much better off in the long run if they are receptive to candidates of both parties instead of being virtual captives of only one, which is then free to take them for granted.”
But surely if African-Americans feel the need to be specifically receptive to long-dead candidates of not just one but both parties, then a oijia board, not a ballot box, is the appropriate medium.
It would be kind of fun to flip this Bartlett logic over and sort of cross it with Mark Penn microtrends. You could have necrotrends: McCain needs to reach out to recently deceased left-handed soccer moms. Or: Obama needs to be sensitive to the concerns of long-dead jai alai dads. So forth. So long as political considerations are divorced from concerns about biological vivification, the possibilities are endless. If some politician is caught with a ballot box stuffed with the names of the deceased, he could defend himself on the grounds that only letting the living vote is sheer ‘animism’.
Bartlett does not even claim, in the op-ed, that there are living Republicans who deserve the support of African-Americans, due to their support for civil rights. The most recent instance he cites is Richard Nixon, who supported affirmative action as a way of busting racist unions. He is, apparently, seriously arguing that African-Americans should consider voting for dead people.
In short: these attempts to argue that McCain can’t be running for Bush’s third term because he’s running for McKinley’s second are getting a bit far-fetched.
This line is nice (paging Rick Perlstein): “Richard Nixon is said to have developed a “Southern strategy” of using racial code words like “law and order” to gain votes in the South.” Yes, that certainly is said.
UPDATE: I almost forgot. I sort of wrote this post two weeks ago, reviewing a Michael Swanwick story about democracy among the undead. “Salem Toussaint stood in the doorway, eyes rolled up in his head so far that only the whites showed. He held up a hand and in a hollow voice said, ‘One of my constituents is in trouble.’”
by John Holbo on July 16, 2008
PZ Myers has a hilarious post about an I.D’er who failed to understand a particular scientific paper because, apparently, he thought ‘eponymous’ was the name of a particular class of bones.
by John Holbo on July 16, 2008
by John Holbo on July 13, 2008
Quiet around here so I’ll keep up the weekend nonsense posts.
I really like Ladytron’s “Destroy Everything You Touch”. It’s a great single and a fun video. However, it is disconcerting to me, on some level, that the song is basically a cross between Blondie’s “Heart of Glass” and Journey’s “Don’t Stop Believing” all runway cold and post-electropunk. I think that a mash-up of those three songs would be great, if anyone wanted to go to the trouble.
Furthermore, I would like to inquire: what do you think of The Talking Heads? I’ve been listening to a lot of old Heads and I’m puzzled. The first big concert I ever went to was the Heads on the Stop Making Sense tour. It was very early in the tour and Byrne didn’t even have the big suit yet. I would sort of like to be able to claim that this very influential band somehow defined a musical moment, and I was there. But, on reflection, they don’t seem to have had all that much lasting influence. It seems like they matured from a spare, NY-style art rock outfit into a pretty good disco band, sound-wise, with Byrne as flamboyant nerd-showman. But there’s only one David Byrne, so it’s not as though subsequent bands have copied that. And it’s not as though indie music subsequently went the pretty good disco band route. So they were, oddly, an evolutionary dead-end. Am I just talking nonsense?
by John Holbo on July 13, 2008
Three unique books by Taro Gomi (that’s a link to the author’s site): Squiggles: A Really Giant Drawing and Painting Book [amazon]. Then click around to find the companion volumes, entitled Scribbles and Doodles. Each page gives the kid a partial, starter-scribble and an assignment. ‘Draw the flag of the bunnies’. Or ‘add water’ to a picture of a bunch of fire fighters. Or ‘add some leaves’ to a page of bare trees. Or a simple line of stairs with ‘draw people walking down, some of them falling!’ The books are big – 350+ pages. Not expensive. Good for trips. (I just sent my kids state-side with Belle, each armed with a Gomi book.)
The books do a great job of providing lots of great ideas for kid art without the instructions becoming bossy and boring, a happy balance struck in virtue of the author/illustrator’s talent for whimsical, back-to-basics simplicity.
Gomi is author of the immortal Everybody Poops
by John Holbo on July 12, 2008
I just experienced a peculiar computer problem. My mac is peacefully sleeping when suddenly its fan starts whirring at perilously high speed. Obviously the poor thing is having a nightmare, I thinks to me. I’ll wake it up and tell it everything is all right. So I hammer on the keyboard and eventually command-q has the desired effect. But now my mouse does not work. Diagnostics (that’s fancy talk for: trying stuff) indicate it is not the mouse. Rather, both USB ports on the keyboard have died. So now I get to plug my mouse into the back of the machine itself forevermore. Oh joy.
What could my computer have been dreaming about that was frightening enough to fry two USB ports in its sleep?
Oh wait. Restarting it did nothing to fix the problem. But shutting down, then starting up, has allowed me to plug my mouse back into the keyboard, with effect.
Thank you for your interest and attention. This has been a test of the my minor emergency network. Had there been an emergency involving you, you would have had to figure out what to do.
