Poetic Justice as Fairness
Orin Kerr writes: “The Engligh language needs a word for when advocates on both sides of an ongoing debate switch rhetorical positions, and yet they insist on decrying the inconsistency of their opponents while overlooking their own inconsistency.” If prof. Kerr will settle for a phrase, let me suggest ‘poetic justice as fairness’. I know it will never catch on among the non-Rawls joke getting set, but it’s the best I can do. (Actually what I am talking about is a slightly more generic version of what Kerr is talking about.) ‘Poetic justice as fairness’ denotes a vendetta-based, rather than abstract reason-based approach to argument. Dialectic as feud; Hatfields and the McCoys do thesis and antithesis, with stupidity as synthesis. The rule is: if you think your opponent commited a fallacy in the recent past, you are allowed to commit a fallacy. And no one can remember when it started, but the other side started it. It is difficult to break the tragic cycle of intellectual violence once it starts.
Timothy Burke has a post up at Cliopatra about why he doesn’t like Michael Moore, which is in this general vein:
What I find equally grating is the defense of Moore’s work as “fighting dirty” because the other side is doing so. I agree that many of the critics of Fahrenheit are astonishing hypocrites, applying standards that they systematically exempt their own favored pundits and politicians from, but the proposition that one has to play by those degraded rules to win the game repels me. If it’s true, then God help us all.
UPDATE: From comments received, it is clear my post appears even more naive than, in fact, it may be. I appear to be marvelling that these beings you call ‘humans’ sometimes employ rhetoric. Actually, I’m just giving a name to a peculiar slip. 1) You preceive that the enemy has employed a fallacy or other illicit rhetorical technique. 2) You denounce this as such. 3) You employ the very same trick against the enemy when the wheel turns and the opportunity arises. 4) You do so with a sense not just that it is fair to fight fire with fire but that somehow the bad argument has become mysteriously good, due to the fact that there is poetic justice in deploying it. (Admittedly, this isn’t what Burke is talking about, so my rather narrow point about argumentative psychology was muddled more than helped by the inclusion of the quote.)
2nd UPDATE: It occurs to me that the Rawls connection was probably not clear either. So I’ll just tuck a few further meditations discretely under the fold.
Why should poetic justice feel like argumentative fairness? Because it is right on the line between two senses of ‘just’: 1) x is just if x makes some sort of absolute moral sense; 2) x is just if x has been contractually agreed upon in advance by relevant parties. Rawls’ strategy, by means of his ‘original position’, is sort of to have it both ways. It’s sort of a social contract, and sort of an abstract argument. (This is violent oversimplification.)
Poetic justice as fairness is a matter of holding your enemies to positions they have ‘agreed’ to beforehand, even if those positions don’t make sense. So it feels fair in sense 2.
Let me provide a concrete example (which bears some relation to a spat I had with Tom Smith of the Right Coast some months ago, but I won’t pin the following tale on Tom.) Suppose you are a conservative who is bothered by the fact that conservatives are numerically under-represented in humanities departments. (Let’s grant under-representation, in some absolute sense, for the sake of argument.) Let’s suppose further that you are annoyed by what seems to you a flabby rhetoric of ‘diversity’ on behalf of affirmative action programs of which you disapprove. (Never mind for now that there are less intellectually disheveled ways of affirming affirmative action than incoherent hand-waving about diversity.) You think your lefty enemies are, by their own stated principles of ‘diversity’, committed to affirmative action for conservatives. This result would, of course, horrify the lefties. You therefore have, plausibly, the basis for a kind of reductio ad absurdum on the argument from diversity to affirmative action. (Yes, I know only foolish lefties would ever allow themselves to be pinned in this obvious way. Never mind about that.) Now: should you, as a conservative, actually affirm the absurd consequence of the reductio? Should you ask for affirmative action for conservatives? By your intellectual lights this would be wrong, because you are philosophically dead set against affirmative action. So no, you shouldn’t ask for it. Nevertheless your conservative mind may feel that it is not only tactically tempting, and a poetically just petard hoist, but truly intellectually fair, i.e. not hypocritical, to ask for it. Why? Because, in a sense, your opponents have ‘contracted’ to it by means of all the prior diversity talk. You feel they struck a deal in favor of this stuff. And fair is fair, when it comes to contracts.
More specifically, no one can plausibly complain that ‘x is unfair!’ if the following situation obtains: everyone who is unhappy with x has agreed beforehand to principles according to which x is fair; and no one who has not agreed to such principles in advance is complaining.
So if you would like the results – namely, more conservatives – and your opponents have implicitly granted that more conservatives would be fair in principle, then it’s fair to advocate affirmative action for conservatives. So you may end up in the absurd position of advocating affirmative action (which you don’t believe is right) on the basis of an argument (which you regard as nonsense) all the while feeling that this procedure is intellectually on the up and up.
I think people think this way quite a bit, actually. Especially in the sorts of cases Kerr discusses – namely, cases in which parties in and out of power flip-flop on any number of questions without feeling the least bit hypocritical. I think it’s because everyone feels that the other side has sort of ‘contracted’ to admit certain things as fair. But, of course, it doesn’t actually make sense to say that someone has ‘contracted’ to make a bad argument into a good one. That’s just not the sort of thing that can be established by contract.
God help us all. I am shocked, shocked to find polemic going on in politics. Hyperbole too. Politics is war by other means. Get over it. To steal from Woody, politics is dirty only if it’s done right. Real blood, and other bodily fluids.
It’s sad that the Japanese bombed Pearl Harbor, too, but that doesn’t mean we shouldn’t fight back.
Switching to a British context for a moment…. I had, up until now, thought it permissible to make cheap jokes about vampires when discussing the current leader of the British Conservative Party. But thanks to Tim B, I now realise that I mustn’t do that, in fact, that it is really really bad to do so. In future, I’ll confine myself to sober, grown-up analysis of his fiscal policy.——And another thing. “Preaching to the converted” is often just a disparaging way of describing “Rallying the troops”. And rallying the troops gives them confidence, makes them believe they can win, a belief that might just actually contribute to their winning. Indirect effects are important too.
The software ate a longer post. Summary (I’ve said all this before several times): I’ve been saying “God help us!” for about 20 years now. I have no idea why it took Moore to bring Burke to that place. Moore’s strength is the truth in there that the media has chosen not to show so far. I do not concede that Moore is as dishonest as Coulter, Limbaugh, or Gingrich. His presentation is imagistic, intuitive, insinuating, and suggestive, but that’s the way film always is. Chomsky would have done it differently, but no one would have watched. Caricature: compare political cartooning (an old tradition). For 20 years I’ve been watching conservatives destroy the Democrats among the intuitive demographic that doesn’t work with facts and logic. Moore turned that around. Certainly politics can be done at several levels, including both the street level and the higher levels. The expert professorial mode only worked when the Democrats were firmly in power (with much help from urban machines and southern racists). A big demographic actually hates the smart professor types, but they will listen to Moore. A fact of life. I wonder whether Orwell himself would have been as purist as some of his avatars. All his life he seemed to be torn between effectiveness and integrity. I frequently hear it said “I don’t want to win at all if we have to win that way”, but you really can’t play that way.
Oh, you’re still allowed to make jokes and fight back if shot at. And far be it from me, of all people, to forbid snark and rhetoric in all contexts. It’s just a peculiar attitude concerning argument we are concerned with here. A very peculiar turn of mind that I think is not uncommon: namely, a sincere sense that if the other side makes bad arguments that somehow that makes your equally bad arguments good arguments.
zizka: “His presentation is imagistic, intuitive, insinuating, and suggestive, but that’s the way film always is.” Exactly. I think there should also be a word for comparing things that are not really comparable, like, governments and filmmakers. For instance. Or, for starting from an assumption that that which is being decried – “fighting dirty” – is really being done “on both sides” in the same way. In other words, until Moore, or any filmmaker, or writer, or opinion-maker with any kind of audience starts manipulating intelligence reports, getting legal counsel in defense of torture, or even, really, being in the position of, or running for, President of the USA in the first place, or having any executive power whatsoever, the sort of “argument” used by Mr Burke is simply a load of crap.
Let me just clarify my point up a notch. Since, as per Chris’ comment, it’s impossible to be a rationalist purist in politics and win – you just have to employ persuasive techniques that don’t quite pass logical muster – it’s hard to know how to establish a division of labor between the part of your mind that is supposed to actually figure stuff out, and the part of your mind that is supposed to go tell other people what you’ve figured out. You need to be a rational creature and a rhetorical creature I think that the rational function – the bit that’s really supposed to be figuring stuff out – is often significantly corrupted by vendetta-like impulses, a vague sense that a fallacy for a fallacy is not just politically efficacious but intellectually fair.
jholbo – “A very peculiar turn of mind that I think is not uncommon: namely, a sincere sense that if the other side makes bad arguments that somehow that makes your equally bad arguments good arguments.” Ok, not to be repetitive, but I really cannot see how that applies to judging whether Moore’s is a good film or not, and whether he is a good filmmaker and political opinion-maker or not. I may be too simplistic here, but I thought that a government of a country does not make “arguments”, it makes political decisions directly, aka executive power. Whereas a filmmaker most certainly does not. He makes films and if they deal with politics they will contain arguments. Like anybody who can find an audience will put forth arguments, if they like. The validity of those arguments, and the validity of the film work should be judged of themselves (on two separate levels, too, because the quality of the film does relate to the quality of arguments but the two things may not coincide 100%). If someone can’t judge those things in themselves for what they are, and needs to resort to comparing films to executive governments, and then from there go on saying that “ah just because the government is sloppy with intelligence used to justify a war doesn’t mean Moore should be sloppy with a… documentary“, then that really is rather… unconvincing in itself. Comparing Bush’s “position” on the war in Iraq to Moore’s “position” is simply absurd. The former’s is not a “position on”, it’s the war itself. Help me out here. I want to understand how and where this odd comparison business started. Might it have had something to do with sheer rhetorics and laziness? Might it be that saying, “it’s good that there’s someone like Moore because even though he can be sloppy he has an impact and raises questions on very important things and you need to do that in an accessible, punch-in-the-stomach way because that’s how politics work at the widest level”, is not exactly the same as saying, “his actions can be directly comparable on an equal level of responsibility to those of the POTUS, so if you excuse Moore’s sloppiness but criticise the government & CIA’s sloppiness, you are an hypocrite”? Surely everyone can see the difference between the two statements and the deviousness in equating them?
Sorry, mc, I guess I have been unclear in two ways. I didn’t mean to be strongly seconding Burke’s indictment of Moore, although I probably do agree with the specifics. I have read the various arguments about the film but I haven’t actually seen it. I’ve seen Moore’s other stuff and sort of enjoyed it. He’s a funny guy. But it does sounds like he is guilty of some argument by innuendo, as he has been in the past. And I certainly didn’t mean to draw a moral equivalence between Moore and Bush. I don’t mention Bush in the post and I don’t believe he has criticized Moore publically. So he wouldn’t personally be a good example of a Moore critic who is himself guilty of Moore’s sins. (Is that right? There are plenty of other hypocrisies to lay at Bush’s door.) Mostly it’s indignant pundits who might be equated to Moore, as per Burke’s passage. And to say that they are equivalent in this one way – namely, there is one sin which some people on both sides have committed – is not to say that both sides are equivalent, or even that any individual on either side is equivalent to any other, except with regard to this one (rather fine) point about mental ability to keep straight whether you think your argument is good because you are justified in defending yourself by means of rhetoric, and whether you argument is good because it is a good argument. Clear?
“it’s impossible to be a rationalist purist in politics and win – you just have to employ persuasive techniques that don’t quite pass logical muster” I sure didn’t read it that way. Employing techniques in film that make a film’s arguments and questions more compelling and popular is not the same thing as relinquishing logic altogether. There’s been a lot of this pre-release accusations of “fallacies” and “untruths” about the film, as if it was Troy not being faithful to the Iliad or something. But I haven’t quite seen such proof of “not passing logical muster”. Unless of course, the “logic” you refer to is the “logic” that justifies Bush’s policies in the first place. A documentary film does not need to be logically flawless (again, under which definition of logic?), that doesn’t mean it’s a complete collection of fabrications and lies. However, an intelligence report and in general a whole case for war put forth by governments asking their citizens to politically and financially and otherwise support a WAR, SURELY needs to be rahter logically coherent and flawless. And it is SO AMAZING that still today, after two official reports highlighting how that wasn’t the case, the hottest topic of debate for some people should be Moore’s film and techniques and flaws or lack thereof, not the things the reports, and film, both talk about… with quite different levels of legal authority, one would presume… It boggles the mind, it does.
And no one can remember when it started, but the other side started it. In the USA, it started with McCarthyism, the chief purpose of which was to portray traditional, loyal liberals as subversives and revolutionaries. And, really, if the choice is between degrading the discourse (not that I for a moment concede that Moore is), and allowing the right wing to remain in power, I don’t see why one even needs to think about it.
MC, if you haven’t seen evidence of Moore’s assertions not passing logical muster, then you haven’t been looking. There is nothing in Moore’s film that he “reports” on that adds to our understanding of either the war in Iraq or the war on terror more generally. His film is a haphazard, incoherent agglomeration of absurd conspiracy theories (George W. Bush let the Bin Ladens exit the country because of his financial connections to the Saudis, the US went to war in Afghanistan so Unocal could build a pipeline), false facts (the Saudis own 6-7% of the US economy, Saudi Arabia has invested $1.4 billion in enterprises belonging to Bush and his associates), and self-contradictory statements (there was no reason to go war in Afghanistan, but we didn’t prosecute the war vigorously enough; Bush is a pawn of the Saudis, but he went to war against the Taliban and Iraq (both of which the Saudis opposed) for no good reason; there’s no reason for Americans to be as afraid of terrorism as they are, but we’re not spending enough on homeland security). You’re setting up a false and absurd dichotomy: those of us who have been attacking Moore in places like CT or at Cliopatra are not doing so instead of attacking Bush. Fahrenheit 9/11 is not a hotter topic than the Bush administration’s failings. But you can devote time to more than one thing, and devoting time to exposing the utter flimsiness, incoherence, and shoddiness of Moore’s film is time well-spent. Why? Because Burke is right. If you’re an artist or a critic or a thinker, you have a responsibility (to yourself, if no one else) to say what you know to be true, and not what you know (or have excellent reason to believe) to be false. You have a responsibility not to willfully deceive your audience. Moore fails on all these fronts. And the result is not, as Zizka keeps bizarrely insisting, a better or more powerful film. It is a worse and weaker film, at least from the perspective of convincing those who are not already true believers of the perfidy of the Bush administration. There is not one American who is on the fence about George W. Bush who is going to believe that Bush cares more about protecting Saudi interests than about the interests of the U.S., or who is going to believe that the war on Afghanistan was unjustified and was done purely for pecuniary gain. Yet the entire first half of the movie purports to demonstrate both of those patently ridiculous propositions. The remarkable thing about the movie, in fact, is how little it contains about the run-up to the war in Iraq, and how little Moore does with the endlessly shifting rationales that the Bush administration has offered for the conflict. I have no doubt there’s an excellent movie to be made about Iraq. Fahrenheit 9/11 isn’t even in the ballpark of being that movie.
I agree that using fallicies is not justified by the oposition’s use of fallicies, and Moore is guilty of using fallicies at times. But it sounds here like one of the fallicies that being discussed, as when his film is called “propaganda”, is the fallicy of one-sidedness. However, in the context of what Moore is doing, I do not think this is a fallacy. Analytic philosophers tend to see one-sidedness as a fallacy because they are trained (rightly) to give each side a fair and objective hearing. Journalists tend to see one-sidedness as a fallacy because they are trained (wrongly) to give each side equal time and not judge between them. I amd trained as a lawyer: presenting one-side is what we do. It is the SYSTEM that is supposed to fairly evaluate each side. Many of Moores supposed fallacies and deceptions are not so when viewed as part of a dialectic system. Moore is entitled to show Bagdad residents before the war flying kites and eating at cafes, U.S. bombs killing women and children, and listing the coalition of the willing as including Morraco and Costa Rica, and assume that the viewer has been told by the “other side” that Saddam had torture dungeons for political enimies, our main partner was Britian, and most of our bambs killed members of Saddam’s Republican Gaurd. While I think it might have been more EFFECTIVE for Moore to mention this and deal with it, it was not a fallacy to exclude such information. (All of the above seemed relavent when I started writing it, and it still seems vaguely so. But looking back, I’m not sure anyone here has made the precise point I am agruing against. If it is off-topic, I appologize.)
zizka- “His presentation is imagistic, intuitive, insinuating, and suggestive, but that’s the way film always is.” This characterization still equivocates between descriptive and normative. It may be right that the rhetorical strategies your adjectives get at are intrinsic to the kind of moral suasion Michael Moore is supposedly engaged in, but it is not fair or accurate to run together these strategies with characteristics of the medium itself, despite that you can deploy the same adjectives to describe the latter. What is suspect in Michael Moore is not endemic to film, or even film with a political subject matter. Skip Chomsky. Evaluate F911 against a hypothesized film by Errol Morris or somebody.
jholbo: the equivalence I was addressing was Burke’s and the like, no, you didn’t exactly say the same so my argument is in general with that view, not personal with you. But the phrase I quoted from your post and replied to was an instance of what I find absurd in that kind of reasoning. I don’t mention Bush in the post and I don’t believe he has criticized Moore publically. So he wouldn’t personally be a good example of a Moore critic who is himself guilty of Moore’s sins. (Is that right? There are plenty of other hypocrisies to lay at Bush’s door.) Er, I’m not sure I get your point here. I think there’s a misunderstanding here (among many others). It’s not that Bush hasn’t criticised Moore (hasn’t? sure?) so he can’t be an “example of a Moore critic”. It’s that I just find it totally absurd to posit Bush in the role of “Moore critic”, as if Bush was simply a columnist…! It’s bizarre, sometimes I get the feeling not many people have got the news that Bush is the President. Of course, they know it, of course, like one knows that California is on the East Coast, it’s a fact, but they don’t quite take in the implications… and the implications are why the comparison Bush-Moore is absurd. That’s not addressed to your statement in particular, just something I noticed having this sort of discussion with some people. I often feel like I stepped in another dimension. Mostly it’s indignant pundits who might be equated to Moore, as per Burke’s passage Maybe, but not really, because… see, I don’t really see the need for an equation to be able to criticise or judge someone and their work, you know? You don’t need to see “who’s on the other side of Moore” to state your opinion on him and his films. I haven’t yet seen Fahrenheit either because it’s not yet been released in my corner of the world. It’ll be in September probably. I’ve seen Columbine, after I’d heard lots on Moore, mostly bashing. I was expecting something very different, especially, I was expecting him to be very different from what I actually saw in the movie. I thought he’d be doing things like sloganeering or shouting from a soapbox or something. I thought he’d be a comedian in there, like you say, funny. When I saw the movie, I couldn’t find a single funny thing about it, as in you know, things that make you laugh carelessly. I thought it was very sad. It also had a seriousness and sobriety to it I wouldn’t have expected. There were embarassing scenes, that made you wonder if perhaps they wouldn’t have been best left out. But then you watched it again, and no, they fit. I also realised the scope of the movie was much more specific than what some of his critics were accusing it to be. It wasn’t meant to be a portrait of America as a whole. It was meant to follow a precise question. I don’t know if this last one is following the same patterns, I’ll find out myself. But I am quite suprised not that there is criticism, of course, but at the nature of a good deal of the criticism, especially the most heavily politically-based kind. It’s clearer and clearer to me that, like with Columbine, most of the people who accuse Moore of all sorts of things from manipulation to treason are really bothered by the fact those topics are brought up in the open at all, in such a huge medium as cinema, regardless of how they are brought up. The Moore-is-a-traitor crowd just don’t want the French, for instance!, to see (and award) a movie where the gun mentality of some sectors of the American population and the interests exploiting and feeding that mentality get exposed so bombastically. I would think more or less the reaction is the same for Fahrenheit. Let’s be honest, when was the last time those instant-critics demanded journalistic accuracy from tv reporters? so why should they demand even more from a filmmaker? Films, even documentary films, even documentary films about politics, work by asking questions and suggesting connections, they don’t necessarily sell a full political package with all the readymade answers. Films ARE manipulation of the audience, by definition. But. Short of making things up and presenting as true what is untrue, if you’re making non-fiction, you’re not lying simply by making a point and pressing questions and stating your opinions and pushing a few buttons. Instead, for the insta-critics, it’s like anything that does not present the same arguments they support has to be neutral, otherwise it’s invalid. The most common accusation to the film is it’s “one sided”. Since when does everything have to be both-sided? Can I vote for both Bush and Kerry? Can I be pro and anti-war at the same time? Some people manage it, but its not an especially admirable quality. Sorry for long digression. I am not defending the film or Moore per se, like I said, still have to see it hopefully, without letting all the brouhaha about it influence the viewing. I hate reading too much about something before I get to see or hear it. But it’s been inevitable… I’m just puzzled by the nature of much of the discussion around it. As for your “ (rather fine) point about mental ability to keep straight whether you think your argument is good because you are justified in defending yourself by means of rhetoric, and whether you argument is good because it is a good argument” – well, see above, a degree of rhetoric is inherent in any political argument, be it in speaking or writing or film-making with a political content. For instance, in Columbine, Moore asking Heston about the 6-year-old girl who was shot by her 6-year-old classmate was rhetorics, was very tabloid-like, in a way, but it also had a point. Of course Heston was not directly responsible for that girl getting shot. Of course all the other indirect responsibilities before that trigger was pulled belonged with the context in which that child had grown up. And a lot of it was sheer bad luck too, because it’s not something that happens every day. But Moore’s questioning, even if it seemed crass and inappropriate, was also spot on, because the question is, how can these people not realise the wider social impact of what they do. The question on what really does make a certain environment more prone to violence than another is very much open and the answers can only be partial and multiple, and involve a lot of factors. There can be a lot of disagreemnt on that. I didn’t agree to all the opinions Moore seemed to prefer, nor to the way he discarded some others. But here was a man, Heston, who spoke of guns as if they were a divine thing, who equated the right to freedom with gun possession, who lived in a big mansion with bodyguards and all and overtly acknowledged he wouldn’t have “needed” a gun anyway ever, but he owned them just because he could. Fine, his “right” too. But he also promoted them, just because he could. He also went to Denver right after the shootings, just because he could. He rubbed it in, just because he could. That someone with such an infantile notion of what is a “right” to do things should be President of any associations, let alone a gun association, is mindboggling. Moore challenging him about the girl was highlighting that huge contrast, that detachment from reality, that total lack of responsibility for his role. So, it wasn’t inappropriate at all, in the end, to go tabloid-like on him. It showed that the man had no connection to his political role at all. So, yes, it was “rhetoric”, but it was not illogical, or manipulative except in the basic way every film, and every opinion, in general, is. Emotional, a trick, in a way, yet it had a purpose and a very strict relation to the film’s question. If that’s the rhetoric of Moore, it’s only the rhetoric of fairly good investigative reporting (though he’s not a reporter, really, but for the sake of using a convenient definition) when it abandons hypocrite pretences of impossible objectivity (is it a coincidence that the phrase “fair and unbalanced” is copyrighted by Fox News, huh?). Just like an interview by Jeremy Paxman or Jon Snow is far more interesting than any interview by any deferential spineless reporter who pretends to be “impartial” and not “one sided”. Sorry, I went on decidedly too long. Also, what Monbiot says. Because if there is a political comparison to be made here, it’s not between Moore and any politician but between Moore and the media treatment (or lack thereof) of the very same questions.
Er, I forgot to clarify, in response to that “fine point” – the main, and not fine at all but quite obvious giant point I’m making here is not that an argument or position is made valid by an artificial separation of rhetorics (which involves anything that is used to make one’s point of stronger impact) and argument/content, but that the rhetorics inherent in stating one’s opinion/argument/questioning esp. in a film, and the rhetorics in things like, say, altering intelligence dossiers and making claims about uranium in public speeches about a war you’re planning and getting legal counsel on how to justify torture is two HUGELY different types of “rhetoric”. It’s not, “Moore’s is good because he’s on my side, Bush’s is bad because it’s on the other side”. It’s that BUSH is the President – again, a fact that needs some highlighting! – and his and his men’s rhetoric is direct manipulation of facts that directly affect the political developments of a nation, no, of the entire world. Whereas Moore’s rhetoric is the rhetorics of a popular filmmaker with strong political opinions. EVEN IF his rhetorics were constantly tabloid-level crap, which they’re not, it still wouldn’t be anywhere near to having the same effect as the political kind of rhetoric described above. It’s a difference of nature, influence, power, accountability, everything. It’s impossible to even begin comparing the two things. So, Moore’s rhetorical techniques should be judged on their own merits and flaws. Bush & co’s must be judged on their own merits and flaws too, with the added awareness, deeper awareness, that those rhetorical techniques are being used by an executive power to directly affect hugely historical events, the life of citizens, the life of Iraqis, laws, the definitions of laws, the definition of principles, anti-terrorism policies, the very notion of what an executive has the right to do, the role and policies of America in the world, etc. etc. etc. Surely, this cannot be overlooked so grossly when putting forth the “just because the government is sloppy is no excuse for Moore to be sloppy”. Can anyone of the Moore-haters confirm they get this?
And here I thought John was just looking to get a rhetorical device named after him: “Look the first innovation in 2300 years, the ‘holbodoche’” or ‘holbochresis’, or ‘holbotaxis’ or something. Or maybe just ‘the dozens’” Hell, guys, we just passed the 200th aniversary of two genius founding fathers fighting a duel over political rhetoric. I’ll get a transcript of a Limbaugh show and annotate it, calling my work:”The Rhetorical Devices of Demagogery:Antanagoge in the Afternoon”
Similar kind of criticism can be found here: Critical Reception: The Meaning of ‘Fahrenheit 9/11’ by Irfan Khawaja. Interesting psychological phenomenon, indeed.
steve – I still have to see this movie, and I’ve already said enough above. As for what you describe as “conspiracy theories, false facts, and self-contradictory statements”, well, it also seems bizarre to me that simply hinting at the Saudi connections, which are FACT, should equal “wacko conspiracy theory of the kind that David Icke and paranoid gun-toting far-right-wing nuts embrace”. It’s been established that not just some members of the bin Ladin family who were in the US but also their associates were flown out of the country, which one could simply explain as security measures, as indeed had been reported at the time (I still remember the tiny news bits about it in the papers). But, while accepting the security explanation, as it mustn’t exactly have been popular to be called bin Laden on 9/12 in the US, one might also legitimately wonder why the heck where they given the help they got from the government in getting out. It is established they were in business relations before, so it must have been a favour. NO, it does not necessarily mean that oh, bin Laden was doing Bush’s interests and they were all in beddy beddy together. It simply means the US government helped the bin Laden family members and associates avoid unpleasant experiences. Fair enough. But bloody hell, I remember that newspaper bit, it was a tiny box on like page 22 about how the bin Ladens and their entourage, for a total of 100-150 people, were given speedy air transport back to Saudi Arabia, and I thought, gee, one paragraph on page 22, like that’s not relevant at all? who exactly were they, how many, who’s the people in the entourage, what were they all doing in the US anyway? I remember reading some of the daughters and sons were attenting American schools and colleges. That still doesn’t make up for a hundred people. It is, I believe, a fairly legitimate question to ask. I accept they were speeded out for safety reasons. I do not accept the lack of explanations about it and the lack of information about who exactly was speeded out. So I see even less rhetorics in bringing that up than the Heston and the girl scene, for instance. Unocal. Oh, I know, I know, that’s another of those things that soon as you mention them, you’re instantly an anarchist or something. But wasn’t Unocal real? Was or wasn’t there a consortium to build a pipeline, whose president said very openly to the US Congress that the only way to connect the Asian market to the reserves in the Caspian Sea area was to go through Afghanistan, and that until Afghanistan had an unfriendly regime there was no chance? Yes, google for “John Maresca statement to Congress”. Karzai is a former Unocal employee. The pipeline is now being built. That’s fact, not proof of any conspiracies, it just proves there were interests in that area. Its blindingly naive to think wars have nothing to do with financial interests. Doesn’t mean there’s all there is. Doesn’t mean a political strategy is not there. But for the life of me I cannot understand why the mere mention of Unocal is like raising a crucifix in the face of a vampire. It’s become a taboo to talk about it simply because most of those deferential media would never bring it up for fear of being read as suggesting the most horrible conclusions. I don’t assume highlighting the interests in Afghanistan EQUALS stating that 9/11 was done on purpose so the US had an excuse to go in Afghanistan. Does Moore say this? From what I read, no. So why should we assume he does? It’s simply quite legitimate to toss up a few questions about how those interests influenced the war, though, don’t you think? Or are we to pretend gazillions of dollars and the opportunity of opening entire new markets, like the Unocal president said, has no relevance to anything? I don’t think having read a huge bibliography on the geopolitical strategies about the Caspian area is required to talk about these things, but I don’t see why the very same questions should be more respectable and never criticised when theyre contained in academic books that take 400 pages to outline what Moore puts in a punchline and a few clips. So he may have got the figures wrong about the exact amount the Saudi have invested in the US. A while ago I’d read it was $3 trillion. Like anyone counted the money, huh? I’m sure we’ll get a precise quantification from the White House, in a report, because they like to publish reports that include facts about the Saudis, don’t they. Is it not a fact that the Saudis, and not only them but say, associates from Qatar or other like-minded regimes, have an incredible amount of money invested in Western corporations and financial enterprises and stock and so on? They even came up with Islamic-compliant bonds, the first issued last year, I think, for a value that was so incredibly high (the bonds can be divided) that I can’t even remember it. Murdoch’s own Fox has huge investments from Saudi businessmen. Berlusconi’s Mediaset has a Saudi associate with dodgy links to terrorist sponsoring. The biggest financial scandal of the 80’s involved the first Islamic worldwide bank thanks to which Pakistan managed to get the first Islamic nuclear bomb. That scandal brought up all sorts of very risky connections at top financial levels between western and Arab businessmen and politicians. But no, if Moore brings up the staggering amounts of money involved in the financial relations between the US and Arab businesses from non-democratic regimes and with suspicious connections to certain terrorist-inclined groups, we’ve got to nitpick about the exact amount, because it’s not the point that matters. It’s not the huge forest, but the tiny shrub that really counts. (was gonna say “the bush”…) You know, I’m pretty sure Moore is not putting forth all the questions on these matters in a way that would suit the standards of accuracy required by an intelligence report used to push the case for a war, for instance. Does that mean he’s falsifying or manipulating facts? I’ll let you digest the ton of sarcasm in there. Oh, while I’m on a roll, and before the patient people at CT kick me out, I’d like to add that I would guess that the US-Saudi relations are and have been for decades a more complex matter than “how can one accuse the US of being too cozy with the Saudis when they also suport Israel and wage wars that the Saudis do not approve of”. If you really need to ask that question, you really need to to a lot more background reading. – You’re setting up a false and absurd dichotomy: those of us who have been attacking Moore in places like CT or at Cliopatra are not doing so instead of attacking Bush. Fahrenheit 9/11 is not a hotter topic than the Bush administration’s failings. But you can devote time to more than one thing, and devoting time to exposing the utter flimsiness, incoherence, and shoddiness of Moore’s film is time well-spent. Yes, definitely more well-spent than exposing the utter incoherence, flimsiness and shoddiness of the arguments used to go to Iraq in the first place. Oh wait, the Butler report just did that last week. I’m sure the British public would have preferred their tax money be spent on an investigation into Moore’s film-making instead. It’s not a false dichotomy. It’s sheer hypocrisy. Of course you don’t have to dissect what the government did, if you agree with it, hey, good for you. I’m not the one making the comparisons between Moore and Bush and respective tactics in the first place. I just think it’s another level of absurdity to totally ignore the questions put forth in the film, regardless of how they are put forth (which is indeed and should be the target of criticism of the film itself, not of the wider political discussion). Those questions may be put forth in a populist way. But they’ve never been put forth in any major way in the mainstream media; they’ve not been put forth in Congress; they’ve not been put forth by the party running against this administration. It’s an interesting phenomenon. Whatever your political opinions, or views on the war on terror and Afghanistan and Iraq and the Saudis, a democracy means accountability of the executive and all other branches of power. Of course you don’t have to feel compelled to scrutinize your government. But you’ve got to live with the consequences of that. You make your bed, you’ve got to be prepared to lie in it. Also. I can safely ignore Moore and the existence of his film. I can just not go see it. I can very well pretend he does not exist. I cannot do the same with the US government. I strongly support your or anyone’s right to spend time writing and talking and asking questions about whatever in the world you prefer. But if you choose to be interested in politics at all, then I will very well support my or anyone else’s right to judge your selection of targets of indignation accordingly. If you shoot the messenger, you can’t blame yet another messenger for pointing that out. – Why? Because Burke is right. If you’re an artist or a critic or a thinker, you have a responsibility (to yourself, if no one else) to say what you know to be true, and not what you know (or have excellent reason to believe) to be false Indeed. And it’s not clear where Moore is selling falsehoods and lies. But the most important point is another. Now, I hate that comparison but there you go: what if you’re the President of the United States, or the Prime Minister of the UK, or any political leader or any government member, what are your responsibilities in terms of truths and wilful deception of your “audience” a.k.a. citizens and voters and taxpayers? Isn’t that question the very one at the core of Moore’s films? How can one ignore that? How amazing is it to throw the question back at him, when he hasn’t even had the equivalent of a Butler report concluding he lied on any facts whatsoever? None of the accusations on Moore prove any crucial altering of facts. Also, ironically, while even Blair can get away with “collective responsibility” for outright lying, Moore couldn’t have got away what in a commercial, not political, context would have caused libel suits and endless litigations if he had really stated patently untrue facts. How’s that for a paradox. – Moore fails on all these fronts. I don’t know. I will watch the movie, and I will judge whether he failed to deliver a compelling documentary and maintain a cohesion and authenticity and honesty in his own argument. I will not be able, even if I wanted, to judge whether Moore misled an entire nation and entire world about a war or any other political topic, because that’d be projecting onto him something that belongs to someone else. Whatever I’ll end up thinking of the film itself, I am aware it is a film. But, again, if there were patent untruths in the film, how could they get past the lawyers’ toothcomb? Last I heard, the only lawsuit Moore got was from the guy related to one of the friends of Mc Veigh, who appeared in the Columbine documentary, and then regretted it and found no better reason to express his regret than call his lawyers. – It is a worse and weaker film, at least from the perspective of convincing those who are not already true believers of the perfidy of the Bush administration. Really? so why are you that worried about it? Ha. Might it be because indeed there’s reports of people seeing it and changing their minds or starting to ask questions they’d never asked before? hmm? Might it be because it is having an impact? If it affected no one but those who already hated Bush – OR, who already were asking questions about the US handling of the war on terror – , why, there wouldn’t be all this furore about it and Disney wouldn’t have refused to distribute it initially, would they? …
bob mcmanus — I think you’ve got it. A neologism is demanded. holboeia, n. a strain of anticategoria, used commonly for satisfying the purposes of bdelygmia, in which the precise form of a previously derided argument, now cunningly adopted, is thrown back at one’s adversary. —skaname: Skarlos Navarrone
If phrases are allowed, there is no need for invention, because ‘what’s sauce for the goose is sauce for the gander’ is still quite serviceable. Those who decry this kind of ‘justice as fairness’ as some new phenomenon that threatens to degrade political discourse are probably more learned in philosophy than in history. [Off-topic] What DOES degrade the political discourse is the willingness of the press to withold important information from the public. I have found the media critiques of Moore’s film conspicuously, amusingly lacking in discussion of that point, which is one of F-9/11’s central (and most effectively presented) themes. [/off-topic]
Can’t help it… – re: the update bit above by John. I would describe the process very differently: 1) You preceive that the target of your criticism has not only employed a ton of rhetorics and fallacies and tenuous links, but you also learn that they outright lied and violated international and constitutional laws on many counts, and admittedly made big mistakes in a war, mistakes for which they won’t take responsibility if not formally and vocally, only. 2) You denounce this as such, except, your denounciation gets less media and public interest than George Bush’s pretzel-eating habits. C’est la vie. 3) Meanwhile, the wheel does not turn one bit. No wheels turn. Nothing changes. No one gets sacked. The very notion of accountability ist officially kaputt. In the UK, only the BBC head and the reporter accused of saying what turned out to be literally true had to quit their jobs. A report states the intelligence was manipulated but everyone manipulated it so no one manipulated it. Brilliant. Blair is mucho happy. Admits errors, but says he did nothing wrong. How he manages that is a mystery. You wish you had one tenth of that ability. Not sure your partner would love it, but it could help in justifying anything from losing his passport to cheating on him with an entire rugby team. Metaphorically speaking. 4) You get the chance to make a film. It won’t be tax-funded because hey, this is not France, bon dieu. We like our film industry to be totally independent and commercial-driven, not subsidised by our government, god forbid. Which is a good thing because you’re not really forcing anyone to pay the consequences of your artistic decisions, like, say, if you were to declare war. Not that films or war have anything in common, but since some people insist on the comparison… You do this film that attacks your target of criticism. You want to make something that will appeal to both those French film snobs on the Riviera and the rednecks back in Flint, Michigan. You don’t have particularly precise arguments per se. You mostly want to stir up some reactions. Just because you can and when you did it two years ago, it was good. It also happened to be a rather good film. You hope this will be bigger. You know it will, because the topic is bigger. You are most definitely not fighting fire with fire, dude, no matter what clever people with a bizarre sense of equivalence might say. Because if you did fight fire with fire, you would be bombing the Pentagon instead, which would make you a terrorist, not a film-maker. Nevermind, to some, this is now equivalent. You don’t really have good arguments, you don’t really have bad arguments either, you’re just throwing in everyone’s faces a potent and messy mix of uneasy stuff that some people would rather, really, not see or hear about at all, and certainly not in those embarassingly bombastic and populist terms. Because the good sophisticated intellectual liberals only criticise the government in books no one reads. And the good patriotic right wingers only scrutinise the government when it’s left wing, and they scrutinise it right down to their pants. So the very moment you throw that potent mix in these people’s faces, the latter kind of people will get very high blood pressure and go to extreme lenghts to pretend your movie really sucks and is really not so important, while at the same time being more concerned about it than about the fact their government was seeking legal counsel to authorise the use of torture on anyone caught in an Iraqi prison. The former kind of people will on the other hand bemoan the fact they never, ever managed to get anyone that interested in anything they said or wrote or did. Even if they really, deep down, also hate Bush and co.! And they do, deep down, also care about the working classes! So why is that not enough to be popular? they can’t explain, so they have to conclude being popular sucks. Bit like the Wilco-are-really-not-so-amazing sneer from Slate. Moore is the new U2, popular criticism is like MOR stadium rock, intellectual liberalism is safe in its sophisticated sense of superiority. (These people should be especially basking in the satisfaction that Jean Luc Godard himself hates Moore. Because he thinks Moore is doing Bush’s work. No really. How’s that for conspiracy thinking.) Hauteur. Hubris. Whatever. But what really annoys the people sharing these two different types of reactions is that, apart from people like them, and a couple of snobs from the Guardian, mostly everyone else liked the film. And so, because for different reasons they cannot really comprehend that something popular may occasionally be quite good, or that something politically opinionated and bombastic and rhetoric may also occasionally be quite truthful, they have to come up with a simplistic reduction of any and all positive reviewing of Moore’s film to a matter of convoluted hypocrisies justifying popular film-making on the basis of the existence of… impopular ill-government. They have to confuse the satisfaction in seeing the US government finally criticised and ridiculed in a record-breaking film the whole world is talking about, with the argument that this is good because it really is as powerful and with as much impact as… that same government using manipulations and lies to bomb other countries. An argument no one exactly made, but that won’t stop people claiming someone made it. The poetic justice here is finally seeing POPULAR criticism emerge from the sidelines and reach huge, mainstream level. It is completely ridiculous to suggest that this sense of poetic justice equals justification of blatant lies at huge, mainstream level. Lies that are not in Moore’s films, but in the actions of governments his films are focusing on. Double-doh. Burke’s is assuming an equivalence where there is none. The film may be crap and too manipulative in emotional terms. But it is not, because it cannot be, manipulation of the kind governments engage in. So there is no one thing excusing the other, either way. It is so completely and utterly absurd to suggest otherwise, or to suggest his defenders are really saying that. I am so so sorry to have taken up so much space but I hope it wasn’t totally, totally wasted. Oh, by the way, Wilco still rock. And U2, as well. But if you prefer to listen to your obscure indie collection of amazingly experimental noise, just don’t complain they’re not that popular and that the popular bands are not that experimental. No, I did not get the wrong thread. This too is on topic. Cheers.
MC, you seem to be under the impression that I’m a Bush supporter. I’m not, at all. You seem to be under the impression that I haven’t spent any time dissecting what the government did and critiquing it. I have. Both things are also true of Timothy Burke. There is no hypocrisy here. Moore’s spewing falsehood and innuendo, and he deserves to be criticized for it. That’s it. And he can’t—and nor can you—hide behind this “he’s just raising questions” shtick. That’s just a way of making an insinuating argument without actually having to stand behind it, and it’s a rotten rhetorical technique. Your take on Columbine was fascinating. I noticed that in your discussion of the conversation with Heston about the 6-year-old girl, you didn’t mention that Moore plainly insinuates in the film that Heston went to Flint to hold a pro-gun rally immediately after the girl’s death, when in fact he went eight months later, as part of an election swing during which he was campaigning for Republican candidates in Michigan. Does that count as a lie in your book? How about Moore’s editing of Heston’s speech at the beginning of the film to make it look like Heston said the line about taking the gun from his cold, dead hand in Denver (immediately after Columbine), when in fact that clip came from a speech in North Carolina a year later. Does that count as a lie, or is just clever rhetoric? As for your supposed “facts,” let’s see: Karzai was never a Unocal employee. Unocal had pulled out of the pipeline in 1998. It is not involved in any construction of any pipeline in Afghanistan. You never read the Saudis had $3 trillion invested in the U.S. Or if you did read it, it was from someone who was a complete fool. The real number, according to all reputable sources, is somewhere between $450-$600 billion. That’s around 1% of the US economy. The Saudis do not have an incredible amount of money invested in US corporation and financial enterprises. Certainly it’s much less than, say, the Germans or the Japanese have invested here. No one seems to think they’re calling the tune we’re dancing to. Moore leaves the clear impression—because he says it—that it’s unusual for the Secret Service to be guarding the Saudi embassy. Since 1970, the Secret Service is responsible for guarding all foreign embassies. As for the mainstream media not raising any of these points, that is simply nonsensical. Craig Unger’s book, from which the first third of Moore’s film is crudely lifted, was on national bestseller lists and featured on national television for months. for Richard Clarke. The same with John Dean. The same, for God’s sake, with Michael Moore’s own book. Oh, and these reports of people seeing it and changing their minds? Are you citing anyone other than Michael Moore when you make that statement?
MC, you haven’t seen the film, so you can’t comment, but in the unlikely event that anyone else is still reading, here’s a simple question: Is there anything in Fahrenheit 9/11 that is: a) true b) germane to the question of why we went to war in Iraq or how the Bush administration has handled the War on Terror, and c) not something that’s been well-covered in the press and books. I can think of two things: the scene in the classroom the morning of 9/11 (it wasn’t a secret that Bush stayed there for seven minutes, and I’m not sure it proves anything, but it was powerful to see); and the statements by Colin Powell and Condoleeza Rice pre-9/11 to the effect that Saddam had not reconstituted his WMD. But that’s it.
I don’t have an answer to the question, because I still haven’t seen the movie, but the fact that something has been “well-covered in the press and books” does not mean that all the people going to see “Fahrenheit 9/11” are aware of it.
I think a lot of people really don’t know what constitutes rational debate and logical arguments, and tho’ technically adults argue at the level of 8 year olds. This tactic, of utter sophistry that would make Sarcophagus Macabre feel himself an amateur, is de rigeur for playgrounds, where “winning” is reaching the point where all your little baboons agree that the adversary has no point, and his baboon-troop deserts him, or they all go off in defeat making faces and fart-noises at you. I’m always surprised when I meet adults who do this and think they’ll be taken seriously. For instance, in an entirely different area, I had someone spend several emails telling me a) they disagreed with me, b) I was boring and an arrogant PhD, c) they were glad they weren’t me, about eight times apiece. When I said this was not an argument, and they were making assertions (i’m not and never claimed to be a PhD) they accused me of making an ad hominem argument and not answering their own arguments. I explained what an ad hominem argument was, and said I would be glad to respond to any real arguments. I got several more pages of the same “you snob, you elitist, I know what I like, and I’m glad I’m not you, you’re trying to do XYZ aren’t you?” which again had nothing like a syllogism, and lots of ad hominems and statements of opinion and taste. They now think they “won” because I’m not bothering to respond. I also see a lot of Tony Blair style “parlimentary” rhetoric, in newsgroup fights, full of accusations and defenses of the sort usually called “ringing” or “spirited” against the unfairness of allegations which haven’t even been made. It leaves you feeling like both sides are reading different scripts in the same courtroom drama…
Herr Steve Carr, if you may: I did say myself, yeah, I will comment on the movie itself proper when I see it. (Unlike those paid reviewers who wrote paid reviews overtly declaring they had not seen it. National Review springs to mind.) I can still comment on the nature of the discussion about the movie in general, though. Which was the topic, here, I think. Additionally, I can also very well comment on the topics the movie touches on. If you allow me. Don’t care if you or Burke are a Bush supporter or not. The discussion is a bit more specific. I don’t need to know your full background to think your arguments are poor. I don’t divide people into Bush-hater=good, Bush-lover=bad. (Ditto regarding Moore). I simply consider what they have to say and how they say it. There’s a lot of Bush-haters who also hate Moore. It’s not like Moore is the anti-matter to Bush in a parallel universe, is it? it’d be hard to like both at the same time, but its very easy to hate both at the same time. My take is not “he’s just raising questions”. IF you feel the need to reduce my previous long posts to one phrase, go ahead, but don’t attribute it to me, please. That’d be very, hmm, Moore-like, no? Heston and Denver and the timing. Honestly, I didn’t even think of that because I can’t even remember that, ie. I didn’t notice if Moore makes it look like Heston went to Denver the very day after the shooting, literally. I remember the chat with one of the South Park guys (cant’ believe I forgot his name. Matt. Something.). The protests. All those people must have really gotten the dates all wrong. The father of one of the victims of Columbine speaking. That’s what’s moore is showing. What do you think all those people’s problem with Heston’s visit was, really? Or did Moore manufacture all those scenes? Did he manipulate them? “Over my dead hands” is a phrase that, in the context Heston used it, not temporal context, but topic-context, is to my own ears chilly enough without the need for it to have been pronounced a day after Columbine. (Again, and impression I personally did not get.) In fact. Charlton Heston and his racist ideas are repulsive enough to me in themselves. (Oh, maybe there’s more violence in the US because we have “mixed ethnicity”. Crikey. The most repulsive thing is how he noticed he’d said something worthy of Moore’s attention and then dodged all futher questions to expand about it.) I don’t have to convince you of the merits of Bowling for Columbine. Tastes. Just don’t tell me what you think that I think I saw or heard in it. ok? I’m quite capable of using my own eyes and ears, thanks. – Karzai was never a Unocal employee. No, you’re right. He was a consultant. My bad. Like Kissinger. And, even the US ambassador to Afghanistan, Zalmay Khalilzad, used to be a UNOCAL consultant. But hey, it’s not a big deal. The most interesting things regarding Unocal happened long before that. More on the wonderful world of UNOCAL: Telegraph article, from 1997, so, definitely not written in Moore’s defense Maresca’s statement, including this: “From the outset, we have made it clear that construction of the pipeline we have proposed across Afghanistan could not begin until a recognized government is in place that has the confidence of governments, lenders, and our company.” Compare with Tony-Blair-style press release on Unocal’s website: We had no “understanding” with the Bush Administration that once U.S. military forces removed the Taliban from power we would proceed with such a project. … During the mid-1990s, a Unocal subsidiary joined a consortium that proposed to build a natural gas pipeline from Turkmenistan through Afghanistan to Pakistan. Negotiations concerning this project proposal were never concluded with representatives of these governments and no construction ever began. Yeah, and this, which is true, but not the whole story, should be enough to claim there were never any American – not just Unocal, Unocal was American but America is not Unocal, right? – interests in the reserves in the area and the strategic position of Afghanistan in relation to the infrastructure potential for connecting Asia and Central Asia. Why deny bare facts? Argue with the interpretation of them, by all means. You don’t need to conclude there was anything necessarily HORRIBLE going on there. If financial interests were not one of the selective motives for war, the US would be occupying a lot more countries than Iraq right now. If it was all about, you know, terrorism and WMD and democracy only. Unocal had pulled out of the pipeline in 1998. It is not involved in any construction of any pipeline in Afghanistan. Hehehehe… You know, what I find funniest is, if anything, that would seem to lend even more credit to the “conspiracy theorists”. Because surely, when the Talebans, who were previosly courted by the US as long as they were open ot the project, suddenly said no thanks not interested (for whatever obscure reasons), then it made even more sense to push for a military intervention, no? I don’t necessarily subscribe to this view mysself, but just saying, if you follow that “hey, the Talebans said no so we gave up the project” explanation, it can lead even more directly to the hypothesis that there was no other way than remove that hostile regime. Like Maresca put it so eloquently in the passage quoted above. This is the sort of ORDINARY crap that’s been going on for decades. Nothing “conspiracy” about it. Financial interests make politics and viceversa. I don’t see why pointing this out has to be some sort of blasphemy. You never read the Saudis had $3 trillion invested in the U.S. Or if you did read it, it was from someone who was a complete fool. You’re right, I may have confused the British or French with the American usage of billion, trillion, etc. I just know the figure involved a lot of zeroes. Whether 12, or 18, can’t remember. The real number, according to all reputable sources All these numbers are estimates, obviously. IS or is NOT the point that some of the richest and most powerful businessmen in the world ALSO happen to be from countries with Islamic regimes who also happen to have had debatable ties with terrorism and financial frauds and arms dealing? (Something that is NOT an issue with Germany, Japan, or whatever other democratic country invests in the US, doh?) Is it not healthy to question whether perhaps there’s not too many cross-connections at financial level to maintain independent policies? Saudi Oil? Is it taboo too, or can it be mentioned? Does it not make a hugely profitable business? Is it nowhere relevant to the US-Saudi relations and policies? Remember the oil embargo in the 70’s? What was that about, eh? It really feels like that emperor’s clothes story sometimes.
Steve Carr – I am reluctant to join you in this discussion, because it seems to have diverged from our ostensible topic, but here we are, so on we go. I think that much of the video footage in the movie meets your criteria. I also think that your criteria sidestep what I took to be the central organizing principle of the film, which is that Americans are being systematically shielded from reality by our political system and the news media. For instance:
- The House objections to the certification of the election may have been reported, but I didn’t know about them, and I have never heard any comment on that sequence that expressed anything other than surprise. At the time, we knew that Senate Democrats had struck a (naive) deal with the Republicans not to contest the certification, but it took Greg Palast, writing from England, to put meat on the bones of the African-American concerns. Where was the American press?
- While some of the conclusions that Moore leads us to regarding the Bush family’s ties to the Saudis and the defense industry are tendentious at best, the fact that those relationships exist was not widely know or talked about before the film. Yeah, I know, there was a book about it. Why are you attacking the movie instead of the book?
- Why does Michael Moore have to make a movie for us to get a window into the experience of the victims (Iraqi and coalition) of the war? It’s not as though TV doesn’t trade in stories of grief and loss on a daily basis, but they won’t even show us the wounded fighting their way back into normal life, which you’d think Katie Couric would be all over.
- The story of Afghanistan, the Taliban, and that pipeline is WAY too complicated for a movie, and he probably should have gone a different direction there, but it IS a story (which did NOT end in 1998 with UNOCAL’s towel-throw). It bumps against Russia and its former provinces in the Caspian, as well as Pakistan, Halliburton, and Argentina. Check CNN or PBS for more on this. Not.
As for the ‘just raising questions schtick’, you are quite justified in disputing his ANSWERS, but I think the real question he’s asking is “why don’t you already know this stuff?”Steve Carr: Your third qualification is unjustified: “Not something that’s been well-covered in the press and books.” Moore’s movie got a lot of stuff out to people who watch TV and movies, and listen to radio, but don’t read a lot of print. That is essentially the whole point of what Moore’s defenders have been saying.
Who knows how much the Saudis “invest” in America? Eh???? Serioiusly. This is the most secretive of rulers! They keep their real numbers very close to the chest. Indeed. We know the Saudis bailed out Disney, for example, to the tune of around $100 million, just for one fine example. My god. The Saudis were flown out of America even as Bush wouldn’t let Clinton return. I remember this happening. And all the other “details”….anyone here who imagines they have the “truth” obviously is naive in the extreme. My father was working for the State Department in Saudia Arabia in the seventies. I know a lot about the Saudis. I know that much of the real information is top secret EVEN IN AMERICA. You won’t see it in the news or in books or on google sites.
There are rules. And conflict. Then one side breaks the rules. So is it OK for the other side to break the rules as well? Aren’t those adolescent arguments? Made from within the shelter of paternal force. The kind of responses you get when the authority isn’t there to enforce its laws. Lord of The Flies with talking points and sound bites. We condone breaking the rules when the thing the rules are there to preserve is threatened badly enough. So then it’s a question of, was it threatened? And that’s where a lot of this kerfluffle seems grounded, high-sided on the status quo. Soon enough there won’t be nearly so much noise, and it’s the holding of that particular fort that’s causing most of the chicanery. Would you burn Robert’s Rules of Order to save a drowning child? Break the law to feed your family? Republicans, and conservatives generally, have inherited wealth and power from people who broke every rule and law to get it. Somewhere back there, in the seeds of each fortune, is amoral opportunism. The law is a gloss, a veneer. Rules aren’t as important as what they protect. That’s where the conflict is now. Anything to win.
Steve Carr, you don’t know shit about film audiences. I am not claiming that Moore’s is a film for the ages. I’m claiming that it works in the 2004 US, with the audiences that see it, and that it more raises than lowers the level of American public political discourse, which is a very relative statement. I do not think that a film that you would approve of would be effective.
“There is not one American who is on the fence about George W. Bush who is going to believe that Bush cares more about protecting Saudi interests than about the interests of the U.S., or who is going to believe that the war on Afghanistan was unjustified and was done purely for pecuniary gain”. Steve Carr: This is just not true. A lot of people will think twice when they understand how tight the Bushes are with the Saudis, and how involved the Saudis are in Wahhabi terrorism. And frankly, I think that this is a legitimate issue. Bush really was not capable of seeing what the problem really was.
Considering Disney’s current market cap is $48 billion, I doubt the Saudis ever “bailed out” Disney. And this conflation of all Saudis with each other makes no sense, in any case. I have gone after Unger’s book. But Moore’s version of the Saudi-Bush relationship is, if anything, even crazier than Unger’s. In any case, how is the fact that George H.W. Bush served as a consultant to Carlyle from 1998-2001 germane to either the War on Terror or the war on Iraq. MC, you’re not strengthening your case here. You’re just tossing shit at the wall and hoping something sticks. What’s your point about the oil embargo? That it’s an example of how the U.S. does what the Saudis want? Obviously not that, so perhaps it’s the reason we now do what they want: like invade Iraq, depose the Taliban, and back Ari Sharon. If George W. is a pawn of the House of Saud, he must not be receiving their orders too clearly. As for the pipeline, Unocal, etc., why don’t you say what you mean? Do you honestly believe that the fact that the US may have had financial interests in Afghanistan had anything to do with why the US went to war there?Are you seriously arguing that if Afghanistan had had no natural resources, etc., but had still been harboring Al Qaeda, that after 9/11 the US would not have invaded and deposed the Taliban? That’s what Moore suggests, and it is insanity, pure and simple. Oh, and as for Heston’s supposed racism, Moore is the one who makes the argument that the reason the US is so violent is because of its racial history and white people’s fear of black people. Heston was making the exact same argument: America is violent because it’s not racially homogeneous. I think both of them are wrong, but it’s absurd to attack Heston for saying the same thing Moore does. And the idea that Charlton Heston, who was one of the few Hollywood actors to march along Martin Luther King and SNCC during the civil rights movement, is a racist reflects nothing but your own ignorance.
Considering Disney’s current market cap is $48 billion, I doubt the Saudis ever “bailed out” Disney. And this conflation of all Saudis with each other makes no sense, in any case. That’s EuroDisney, and it wasn’t just any Saudi.
I have gone after Unger’s book. But Moore’s version of the Saudi-Bush relationship is, if anything, even crazier than Unger’s. In any case, how is the fact that George H.W. Bush served as a consultant to Carlyle from 1998-2001 germane to either the War on Terror or the war on Iraq. Your “fact” is in error, but I don’t call it a lie. MC, you’re not strengthening your case here. You’re just tossing shit at the wall and hoping something sticks. What’s your point about the oil embargo? That it’s an example of how the U.S. does what the Saudis want? Obviously not that, so perhaps it’s the reason we now do what they want: like invade Iraq, depose the Taliban, and back Ari Sharon. If George W. is a pawn of the House of Saud, he must not be receiving their orders too clearly. That’s for MC to answer. As for the pipeline, Unocal, etc., why don’t you say what you mean? Do you honestly believe that the fact that the US may have had financial interests in Afghanistan had anything to do with why the US went to war there?Are you seriously arguing that if Afghanistan had had no natural resources, etc., but had still been harboring Al Qaeda, that after 9/11 the US would not have invaded and deposed the Taliban? That’s what Moore suggests, and it is insanity, pure and simple. What I mean is that prior to 9/11, the US was willing to lavish the Taliban with various goodies, because we wanted the pipeline worse than we wanted “democracy” or Bin Laden. As of 2002, there is a Caspian pipeline under construction through Turkey, so we’re at liberty to let Afghanistan slide into chaos, but that’s not the end of the story. Even as we speak, we are in a diplomatic war with Russia, which already has pipelines that can carry Caspian oil to market, and more under construction through Iran. Did you know that the US provides military assistance (including personnel) to Georgia and Azerbajian? If I had time, I could weave a byzantine conspiracy theory about this, and few readers would know what to think about it, because nobody knows what we’re doing over there, much less why. Oh, and as for Heston’s supposed racism, Moore is the one who makes the argument that the reason the US is so violent is because of its racial history and white people’s fear of black people. Heston was making the exact same argument: America is violent because it’s not racially homogeneous. I think both of them are wrong, but it’s absurd to attack Heston for saying the same thing Moore does. And the idea that Charlton Heston, who was one of the few Hollywood actors to march along Martin Luther King and SNCC during the civil rights movement, is a racist reflects nothing but your own ignorance. Charlton Heston could kick Michael Moore’s ass, if he weren’t old and ill. Is there a name for this kind of argument?As I’ve said before in response to Steve Carr, what Bush is doing for the Saudis right now is leaving them alone and not talking about them. They realize that they’re in very serious trouble (because of the implication of various Saudis in terrorism and Wahhabite agitation of various sorts) and that they really aren’t in a position to make any big demands at the moment (for example, about Israel/ Palestine). They’re trying to save their Wahhabite asses, and Bush is playing their game.
So anyway, what’s the actual evidence that Moore’s movie is successfully ensnaring the “rednecks back home,” as mc so vividly puts it?
Zizka, what do you want Bush to do about the Saudis? It’s a serious question. Would you be happier if we toppled the princes, or encouraged a popular uprising? Do you think the world would be a better place with a Islamic fundamentalist regime in power in Saudi Arabia?
The war in Afghanistan conveniently allowed the US to build up a military presence close to China. US Deployments – Central Asia Afghanistan, Kyrgyzstan, Uzbekistan Details – Footprints In Steppes Of Central Asia It makes the Roman empire look quite small. How long before the Iranian state crumbles under the weight of circling forces?
Suddenly Kyrgyz President Askar Akayev is one of the most popular people on the planet … President Hu Jintao Meets with Kyrgyz President Askar Akayev – June 16, 2004
Yes, it sure was convenient that Al Qaeda flew three jetliners into the World Trade Center and the Pentagon, incinerating almost 3,000 people. Too bad our president took that golden opportunity and invaded Afghanistan. It would have been much better for everyone had he showed some restraint instead. No doubt.
I’m no expert but it seems to me Steve Carr’s comment of 3:33 am returns this thread to its original topic by being an example of the argumentative style Dr. Holbo described in his initial post.
Hmm. Irony, with undoubted mycterismus. I thought we were doing holboeia.
Steve Carr – There is nearly universal agreement that invading Afghanistan after 9/11 was the correct course of action. One of the biggest objections to the Iraq invasion is that it drained needed resources away from our necessary and appropriate effort there. Even Michael Moore makes this point. That does not mean that it wasn’t also convenient for other reasons, nor does our relative abandonment of that project mean that it hadn’t been convenient when we did it. Things change, especially when you’re moving 150,000 troops around the board. Now, I’m of the opinion that Moore made an absolute balls of his presentation about Afghanistan and the pipeline. It’s the weakest part of the film. However, in the context of his broader point – that we are ill-informed about unreported motives that may lie behind our geo-political decisions – I understand why he made the attempt. Moore may have the wrong theory, but pretending that our military actions have no financial motivations is just childish. Our so-called “free press” indulges in this naive fiction for… what reason? I find the strain of argument that poo-poos money as a cause for events on the world stage quite bizarre, and to the extent that it is actually serious, quite disheartening.
It appears that our friend and dear President Askar Akayev of Kyrgyz is wavering in his support for NATO. I think we had better send him a few gifts – how about a trade deal to sort out the chronic unemployment? I was going to post a link to a webpage at : http://english.pladaily.com DOT cn/english/pladaily/2004/07/14/20040714001006_InternationalMilitaryNews.html but it appears that a post with “com . cn” in it is defined as questionable content? opposes establishment of US-Russian military base PLA Daily 2004-07-14 “The task of the military forces deployed in Kyrgyzstan by the US-led international anti-terror coalition and the Russia-led Collective Security Treaty Organization is to deal with global threats and challenges instead of provoking antagonism, the statement said.”
try com DOT cn and Crooked Timber gives you:… Your comment could not be submitted due to questionable content: com DOT cn interesting….what list is CT checking against?
Let’s be clear: there may be “universal agreement” that invading Afghanistan was the right course of action, but if so, Michael Moore was not part of it. He opposed the invasion in the weeks after 9/11, writing, “’ Declare war?” War against whom? One guy in the desert whom we can never seem to find? Are our leaders telling us that the most powerful country on earth cannot dispose of one sick evil f—-wad of a guy? . . . For chrissakes, call the Israelis and have them do that thing they do when they want to get their man! . . . But do not declare war and massacre more innocents.” And in late 2002, he was still saying the invasion was unjustified. So when he pretends to make the point that the war on Iraq drained resources from prosecuting the war against Al-Qaeda, let’s just say that he lacks credibility. And let me say it again: our military intervention in Afghanistan had no financial motivation. Many other American military interventions have had financial motivations. Our invasion of Afghanistan had none. That is not a childish statement. It’s just true. As for my supposed argumentative tactics, my question to Zizka was a serious one. If you think Bush has been too soft on the Saudis, then what would you prefer he do instead? What realistic alternative to the House of Saud would you prefer to be running that country?
“If you think Bush has been too soft on the Saudis, then what would you prefer he do instead?” Not invade Iraq on idiotic pretenses.
How about the humanitarian case for war in Kyrgyzstan? They appear to have a problem with werewolves. Kyrgyzstan Development Gateway (KgDG) – The foreigners to get protection cards against werewolves in 3 minutes (28 June 2004)
There may be a difference between: 1. Tactic A is bad, only bad people use Tactic A. 2. By engaging in Tactic A the playing field has been radically altered and old modes of civility have been damaged. I don’t think anyone reasoning from 2 would be hypocritical to then go on and use Tactic A given that the old modes of civility have been damaged.
By engaging in Tactic A the playing field has been radically altered and old modes of civility have been damaged This has nothing to do with civility. I am one of those who haven’t seen the film. Most critics say that the film employs some demagoguery and manipulation, so I’m assuming that it does. Now, I am, probably, in total agreement with Moore on every issue and I think Moore and I are on the correct side of every argument – from economic justice to firearms to foreign policy. What being on the correct side of an agrument means to me is that you don’t need demagoguery to prove your point; your point is winnable on the merits; demagoguery is only going to weaken it. It’s possible, of course, that I’ve been suckered by the US media and the film has no demagoguery or manipulations in it whatsoever, in which case – Viva Moore! I hope so.
Pro-Moore review here: Backstabbers! America’s Vichy Left vs. Michael Moore by always excellent Mark Ames. Michael Moore: the man liberals hate more than Bush!
Steve Carr, I don’t have a case to strenghten at all. I don’t have “the” answers to anything. The whole point is not having some prepackaged theory about everything but, as zizka and beth others have pointed out, the questions and the information and the discussion of it at public level, first and foremost at political level, and then at media level, because those are the interfaces for political discussion in any representative democracy. If you’re happy with the level of information and accountability you’re currently getting, good luck. If you’re so happy with it you end up accepting all the PR at face value, what can you possibly understand about the notion of accountability at all? I don’t necessarily presume that concealing information and lying has to involve dark horrible plots, every government conceals information but there’s a level where the intelligence/security excuse doesn’t cut it anymore. This, totally irrespective of what your position on Bush’s government is. Any government has to be responsible and accountable especially when the issues are so big and involve wars and terrorism and the entire management of foreign policy. US foreign policy vis a vis terrorism is a continuum that goes back a long way. The point about the oil embargo is not “the US do what the Saudis want”, that’s a 5-year-old’s way of reasoning. The point is a very obvious and simple one, that is totally redudant to make: those financial relations DO have a huge impact on worldwide policies as well as economy, so it’s totally LEGITIMATE to question how far the financial side influences the politics and viceversa. As for the Talibans and Afghanistan, no I’m not arguing anything, I don’t know what the whole deal is, that is the point. Can you explain coherently why the Talibans were welcomed and wined and dined in Texas in 1997 and the only objection was they had some issues with women, and then a few years later whoops, suddenly the US “realises” they were a bit nastier than that. Why, then, did the Talebans get millions in funds right up to March 2001? Why the Afghan mujahedeens were trained and financed via the Pakistani services for anti-Soviet purposes without any concern about the future consequences, and why after bombing Iraq now the very same mujahedeens and warlords are back in power in Afghanistan and women still wear the burka but it’s supposed to be not such a big problem anymore, now that the bombing and occupation job has been done? If terrorism is the new enemy that replaced the Soviets, why are the very same cold war tactics being used with the very same lack of concern for future consequences? Why are other countries being supported even though they have repressive regimes and harbour terrorism? Why does the Saudi regime, which is the most repressive Islamic dictatorship on earth, get such preferential treatment? No, I’m not saying it should have been bombed, but perhaps investigations into the Saudi connections behind 9/11 could have gone a BIT further than they did, which was ZERO. This shit is there and it does need to be “tossed up” because it’s very important, that’s the point. That’s what’s Moore is doing, I don’t care if he’s not doing it amazingly enough, it’s good enough for the level and medium he works in. We could spend hours talking about all this. We would need to quote long passages from books and articles to put those questions in more elaborate and less simplistic form. But even if you boil them down to the “crass” format suitable for a POPULAR FILM reaching audiences across the globe, they do remain legitimate questions. That is essentially the strength of what Moore is doing. If you want some more background on the whole wider topic of US foreign policy and strategies regarding the Middle East and Caspian Sea area and Islamic extremism and terrorism, you’ll find a lot of interesting details in specialist magazines or articles or books than you get on CNN or in Moore’s film for sure, but you won’t really be getting any final coherent picture because there’s this big void of official information. That, again, is the whole freakin’ point. Not every single fact mentioned in the film, for which there is ample opportunity to double-check from other sources. Anyone can draw any conclusions from facts, and those conclusions are called political opinions and they’re all up for discussion, but ascertained facts are not. And when you’re not making up facts you’re not lying. Just because you may not like someone’s take on events, doesn’t mean you can accuse them of untruths. As for Heston, no, I don’t think he was saying the same things as Moore said, duh. Moore was raising questions throughout the film about fear and racial tensions and the origins and main nature of the NRA itself in relation to that history of racism; Heston replied to the question “why more violence in the US” with “maybe because we have mixed ethnicity“, which clearly meant something quite different, unless you want to go for ridiculous sophistries and dissect every single word and expect everyone to ignore the whole background about the NRA fanatics and Heston and like-minded folks. Excuse me if I missed the part where Heston becomes the new paladin of human rights and equality and concern for the victims of violence. Oh, he marched with MLK? wow, I’m so impressed. I don’t see what’s the point in discussing with someone who denies or distorts even what’s right in front of their eyes. You didn’t like the film, fair enough. I think it was good, and touched on a very troublesome topic, it doesn’t mean I agree with every single argument suggested in it, but I think it’s very relevant to raise questions like that esp. given the political and financial power the NRA has. Ditto for the big Arab kings of finance from dictatorial regimes that support terrorism, etc.. If you see “asking questions” about any government’s policy as “tossing up shit” for no purpose at all, or, as an inexcusable offence to the sanctity of the values America purports to defend, then I don’t quite see what those values of democracy are to you if they can be dismissed so easily in favour of… what, really? reassurances? Why not take the opportunity to question things, when you have it? In Saudi Arabia people don’t enjoy this privilege. Moore is not Salman Rushdie and the US government is not Mohammed, but for some people it seems that the mere act of daring to suggest not everything is peachy up there amounts to treason and blasphemy. I’ve read some good well-written and well-argue reviews that were rather negative about the film, I still don’t know how far I would agree with them because I’ll only be able to say after I watch it, but at least they accepted the main premise that it was ok for Moore to do a film on those topics. From most of the politically-motivated outrage at it, instead, I get the feeling that premise is not even being accepted, and that’s what’s sad. Calling something a bunch of lies instead of bothering to consider the questions even if you don’t like the suggested answers.
‘Poetic justice as fairness’ denotes a vendetta-based, rather than abstract reason-based approach to argument. Dialectic as feud; Another “Poetic Justice” is that the 300 million Muslims sitting on the majority of the world’s oil are now getting 40 dollars a barrel instead of 25 dollars a barrel. I expect they will be buying Toyota, rather than GM though. It is not just Halliburton and Bush who profited out of the war. Of course some countries appear to have gained neither territory, power nor money: Oil imports (net) (per capita)
“Do you think the world would be a better place with a Islamic fundamentalist regime in power in Saudi Arabia?” Huh, what else is Saudi Arabia right now? It’s such a lame reply, Steve Carr. You don’t need to posit things getting worse than people getting beheaded for adultery, to pursue legitimate investigations into the connections, financial and political, of terrorist organisations that attacked your own very country as well as others. s-bethy: Moore may have the wrong theory, but pretending that our military actions have no financial motivations is just childish. Our so-called “free press” indulges in this naive fiction for… what reason? I find the strain of argument that poo-poos money as a cause for events on the world stage quite bizarre, and to the extent that it is actually serious, quite disheartening. Exactly. The other disheartening thing is that the shock-horror reactions show how many people are really not very used to that issue being brought up at all, in any form, from sophisticated academic essay to media to blockbuster film.
abb1, thanks for posting that link! it’s a brilliant article, and hilarious too.
From a historical viewpoint, it might be interesting to consider the role of the 1905 General Strike (Lenin describes the events of 1905 not as a revolution, but as a ‘dress rehearsal for revolution’) as a turning pointing in the radicalisation of the opposition to imperial rule in Russia prior to 1917. The Middle Eastern and Central Asian adventures of 2001-4 have no doubt radicalised, organised and educated many “oppressed worker” Muslims in these poor countries. The next 20 years will contain much interesting reaction. It is this to which future historians may refer to as “the Poetic Justice”.
John, I disagree with your take on the conservative argument in your 2nd update. The conservative is saying “either there shouldn’t be any diversity-promoting affirmative action, or else conservative humanities professors should be among the benefited minorities. Since you folks in power won’t give up on the first, at least you should be required to give in on the second.” What’s wrong with this argument (assuming that we make all necessary parenthetical concessions to the premises that led up to it)? Are you saying that someone who disagrees with the rules of the system is not justified in trying to do the best that he can under those rules? That, if there is an inconsistency in the way that the rules are enforced that further disadvantages those who would have preferred other rules, then they do not have a right to point out this inconsistency and get it fixed, one way or the other? I think that, in order to commit the fallacy of poetic justice as fairness, one must take up the opponents’ bad reasoning more wholeheartedly than the conservative has done.
Dan, it seems to me there’s a significant difference between exploiting legal rules to your advantage, even if you think they are stupid rules, and exploiting moral principles with which you don’t actually agree. The former is just part of the legal game. I accept that. The latter is self-defeating because you corrupt your own attempts to figure out what you really think. My example was a bit unclear (once again). If it’s a matter of just exploiting a legal policy the university has laid down, then I would say – fair is fair.
.q, in 1905 a large number of Russians in St. Petersburg were shot, hacked and stomped to death by a large number of other Russians – right in front of the Czar’s palace, if I am not mistaken. That was a big deal: Russian soldiers and, I am sure, even some Cossacks got conflicted, they were a part of the same crowd and so they didn’t like it too much. In 2003/4 a large number of Arabs were killed mostly by things like hellfire missiles, GPS-guided bombs and highly indoctrinated professional foreign soldiers – that’s a totally different story, there isn’t much price to pay by the perpetrators in this case, I am afraid. See what I mean? The Russian army eventually turned against the Russian elite and that was the end of them; there is no chance of it happening in the US. It almost did happen during the Vietnam war, but lessons were learned, changes were made and it’s much more stable now.
MC, the problem people on the left have with Moore isn’t the subject of his movie. Our problem is with the movie he’s made on that subject. That’s it. If you want to make a movie that seriously looks at how and why the US went to war in Iraq, how Afghanistan is really doing, whether Homeland Security is falling down on the job, with an eye to separating what’s true from what’s not, while not making outlandish charges for which you have zero evidence, I’d be glad to see it. That’s not the movie Moore made, and that’s why—to get back to the original subject of this post—we find him so appalling. But then you haven’t even seen the movie, so you wouldn’t know. You remind me of that blog post I saw a couple of weeks ago that said, “Moore’s movie or not I agreed with his opinions long before I stated them.” Oh, and by the way, Hamid Karzai was never a consultant for Unocal. He never worked for the company in any way, shape, or form. So stop saying that he was. And as for the Taliban, the US was not funding them “up to March 2001.” The US money that went to Afghanistan was all humanitarian aid. If you think we should have let the Afghan people starve because the Taliban were repressive, say so. Don’t hide behind this sophomoric “isn’t it sinister” curtain.
abb1- I was referring to the role of the 1905 actions in the context of the formation of the soviets, which could be later used for organisational purposes. The soviets were created by workers to solve their immediate problems, for example winning the strike, the eight-hour day, working conditions and gaining political rights. However, the role of the soviets evolved quickly into an organ of the general and political representation of workers – in short, a “workers parliament”.
Steve, your unequivocal statement that Karzai never worked as a consultant for Unocal is interesting. What special facts do you know that contract such claims as are made, for instance, by this Asia Times report on the relationship between Zalmay Khalilzad and Karzai? http://www.atimes.com/c-asia/DA29Ag02.html “The man who spotted Karzai’s leadership potential and recruited him to “the fold” was then RAND (the Santa Monica, California think tank, mostly conducting contract research for the Pentagon) program director, now US National Security Council member and special Bush envoy to Afghanistan, Zalmay Khalilzad. Like Karzai, Khalilzad is an ethnic Pashtun (born Mazar-i-Sharif, PhD University of Chicago). He headed Bush’s defense department transition team, and served under present US Deputy Secretary of Defense Paul Wolfowitz in the Reagan State and Bush I Defense Departments. Also like Karzai (whom Mullah Omar once asked to represent the Taliban at the UN), Khalilzad early on supported and urged engagement of the Taliban regime, only to drop such notions when the true nature of the regime became patently obvious by 1998. And one further thing both men have in common is that in 1996/97 they advised American oil company Unocal on the US$2 billion project of a Turkmenistan-Afghanistan-Pakistan pipeline. In 2000, Khalilzad invited Karzai to address a RAND seminar on Afghanistan; the same year, Karzai also testified before the US Senate Foreign Relations Committee and met periodically with Christina Rocca, then a Senate aide (to Kansas Republican Sen Sam Brownback), now the assistant secretary of state for South Asian affairs. “To us, he is still Hamid, a man we’ve dealt with for some time,” said a state department official.
Steve, PS —yes, I know Unocal has denied having hired Karzai. What I’d be interested in is whether they would deny having paid money to any organization with which Karzai was associated. Their public statements on this matter are shot through with the rhetoric of deniability.
Steve Carr: I have seen the film, and you appear to be attributing a number of statements to Moore which are not, in fact, made in the film. Am I to take it from this that you believe that comments on the Crooked Timber comments section should be held to a third standard of accuracy, more stringent than for declaring wars but less stringent than for making films?
You know, what I think is being missed in the original argument above is this implied syllogism: (1) If someone believes in diversity and affirmative action, then they should believe it important to have a diversity of opinion that includes conservative opinion; it follows that they ought to beleive in action to increase this diversity of opinion, once a lack of diversity is demonstrated. (2) Pointing out that some proponents of diversity and affirmative action do not act in accordance with (1) implies an acceptance of the premises of (1). Since this implied syllogism is itself false, there’s an awful lot of the rest of the argument that is basically vacuous.
The facts? Unocal has said that Karzai was never an employee, consultant, or adviser to the company. There’s no evidence that he was, other than a series of unsupported assertions (the first of which was made in Le Monde in December 2001, and that was then picked up all over the Internet). Look at even the paragraph you quote—there’s no evidence in it at all, just a statement. Khalilzad was a Unocal adviser—sort of, since he was working for Daniel Yergin’s outfit—but Karzai had nothing to do with the company.
.q, still, I don’t see much similarity. One is typical early 20th century social-democratic labor movement, the other is typical mid-20th century anti-colonialist struggle. Labor movements’ typical MO is organizing and reforms, anti-colonialist movements’ typical MO is armed resistance (i.e. various forms of “terrorism”).
Daniel, what are the statements I’m attributing to Moore that are not made in the film?
Roger, if you say Karzai was a consultant to Unocal, then you mean he was paid to advise/consult with Unocal. He wasn’t. Saying that he was is false. End stop.
Steve: If you want to make a movie that seriously looks at how and why the US went to war in Iraq, how Afghanistan is really doing, whether Homeland Security is falling down on the job, with an eye to separating what’s true from what’s not, while not making outlandish charges for which you have zero evidence, I’d be glad to see it. Wouldn’t you be glad if that “movie” had been screned on your tv news instead of cinemas? I’m in Europe but get the US CNN and Fox and CBS and CNBC on satellite. The difference in the style of war coverage was impressive. Even the British Sky news, which is the same corporation as Fox, and was relatively the most overtly pro-war of the channels in UK, was like on another planet from the US networks. The Unocal-Karzai connection were published in newspapers in Europe (and Asia), it’s not a rumour that started on the internet. Unocal may deny that but then, why didn’t the papers who published that story retract if it was patently false? Also, they never denied the US ambassador had dealings with the consortium. But this is a detail. It’s less important to me than the bigger question of how financial interests affect the way policies are handled. There’s a lot of other perfectly ascertained details about that, that were never touched on. Why didn’t we see this “movie”? ie. mainstream reporters truly investigate and truly report all-round? that’s the topic of Moore’s film, I gather. If you want a different movie on the same topic that would suit your more sophisticated tastes, then tell me, how would you envisage it being more “serious” than Moore’s and how would you see it having a fraction of the resonance, impact and commercial distribution Moore’s is having? And why is there no other big mainstream movie about the same topic, indeed? Why are we getting a flood of films on ancient Greece and ancient Rome and comics heroes and sci-fi and period costume and no one dares make the kind of films that were made in the 70’s for instance? Not just documentaries. Films that touch hot political topics, in general. Big films. Clearly there is a demand, judging from Moore’s success. Why